Love, all
alike, no season knows, nor clime,
Nor houres,
dayes, moneths, which are the rags of time.
Yesterday
marked the death of John Donne (1572-1631), English poet and the Dean of St
Paul’s. I have a particular interest in him. I wrote my master’s thesis about
him, specifically about his concept of time.
Donne isn’t
exactly known as a philosopher of time. I chose him because he was a prolific
writer and the abundant material promised me an access to his mind. I wasn’t
interested in a philosopher’s formulated concept of time anyway. I wanted to
know how an ordinary Elizabethan Englishman understood it. And despite not
being a philosopher, Donne’s texts had plenty of references to time – even from
a philosophical point of view.
I have been
interested in time ever since I started studying history. The early modern
concept of time became my focus later on, especially in relation to the
emergence of the modern concept of time. But I wasn’t interested in change when
I studied Donne; I wanted to know how time was understood at a particular time
in history.
Meticulously,
I posed questions that seemed relevant back then about subjective and objective
time, cyclical and linear time, secular time and timeless eternity.
Unsurprisingly, Donne’s thinking didn’t easily yield to my systematic approach.
It was linear and cyclical at the same time, as well as secular and sacred. He
had a strong sense of decline, that the world was deteriorating towards the
inevitable end, which was a fairly common view in Renaissance.
I seem to
have concluded in my thesis, having read it for the first time in ages, that
for Donne, the concept of time was a theological issue. He mostly wrote about
it in his devotional material and he expressed views similar to theological
thinkers, especially St Augustine. The bulk of his texts is devotional,
however, so the data is slightly biased towards that interpretation.
His
emphasis on sacred meant that time was irrelevant compared to the timeless
eternity that was to follow. For example, he wrote in
Devotions upon Emergent
Occasions (1624), when he thought he was on his deathbed, that happiness shouldn’t
be bound to time:
What poore
Elements are our happinesses made of, if Tyme, Tyme which wee can scarce
consider to bee any thing, be an essential part of our hapines? […] if this
Imaginary halfe-nothing, Tyme, be of the Essence of our Happinesses, how can
they bee thought to be? Tyme is not so; not so, considered in any of the parts
thereof.
But he had
more irreverent ideas too, especially in his poetry where he could bend time to
his liking. In Womans Constancy he tells how a woman is unable to be faithful
for longer than a fleeting moment:
Now thou
hast lov’d me one whole day,
To morrow
when thou leav’st, what wilt thou say?
Wilt though
then Antedate some new made vow?
Or say that now
We are not
just those persons, which we were?
One couldn’t
trust anything temporal.
The conclusions
of my thesis are temporal too, bound to time. I stand by them, but they offer
only a superficial understanding of Donne’s concept of time, and that of the
early modern in general.